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Looking for a new audio interface? Here we’ve compiled the best audio interfaces you can get in 2017.
By ‘best’ audio interface, we usually consider three main factors. They are:
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- Sound quality
- Quality of audio interface & reliability
- Price competitiveness
First off, the audio interface you choose must have good sound quality. This includes the quality of its inbuilt pre-amp and D/A converters. The last thing you want is an audio interface with substantial sound quality, affecting your recording.
Next, the overall reliability of the audio interface is important as well. Does the audio interface come with reliable drivers? Does the manufacturer who makes them constantly push out updated drivers to cope with the many OS updates on your Mac or PC?And finally, the price must make sense too. Are you getting the right value for the price you’re paying?
And finally, the price must make sense too. Are you getting the right value for the price you’re paying?
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Admittedly, there are many other considerations to think about when choosing an audio interface & I totally understand that. However, we’ll compile the best audio interfaces based on the mentioned three factors.
We’ve also separated the list by introducing the best budget audio interfaces first, and then the premium line-ups later.
But first, do you actually need an audio interface?
I raise this question a lot because many people actually ask me this. And I understand because I asked the same exact question when starting out too.
Well, if you’re mainly producing music in your DAW and not doing any recording, you probably do not need an audio interface for now. Audio interfaces are useful for people who wants to record instruments via microphones or line-in. Other than being a device that helps you output digital audio from your computer to speakers or mixers, audio interfaces also help you reduce audio latency on your computer, especially producers on Windows-based computers.
Additionally, other than being a device that helps you output digital audio from your computer to speakers or mixers, audio interfaces also help you reduce audio latency on your computer, especially on Windows-based computers.
Some producers also claim that the DAC (Digital to Analog Converter) in most modern audio interfaces helps you monitor with better sound quality. While that is true to an extent, sometimes you don’t need all the fancy stuff to make music.
I’ll leave you to decide for yourself. But if you want to read more about audio interfaces, read this post about audio interfaces.
The best budget audio interfaces to buy
Audio tech has progressed so far that you don’t need to spend a fortune to get an audio interface that records great sound. Budget audio interfaces usually come with fewer inputs & outputs but that doesn’t mean you can’t make world-class music with some good models.
Let’s start with budget audio interfaces first.
1 – Focusrite Scarlett Series (2nd Gen) – From $99
The Scarlett series by Focusrite remains as one of the best audio interfaces with great sound quality and value for money.
The 2nd generation models have been upgraded & now the Scarlett records up to 24bit/192khz resolution, giving you superior audio quality. The mic preamps on the Scarlett is also something you’d love – great sound, large headroom and plenty of gain, to take on different types of recording jobs.
Focusrite has also claimed to record super-low latencies on the Scarlett at 2.74ms when working real-time with plug-ins without the need for a DSP. On top of that, I’ve also always liked the input LEDs on the Scarlett that changes in colour as I hit the headroom – which is really useful for recording when you can keep an eye on the blinking LEDs.
I’d also recommend getting the Scarlett 2i2 at a minimum, so you have 2 inputs to play with. If you’re looking to record more instruments simultaneously, go for the Scarlett 18i20 with 8 mic pres.
Check out the complete Focusrite Scarlett audio interface series
Also I’d advise you to buy the 2nd generation as they record at higher resolutions, so to future proof your investment.
2 – Audient ID4 – $199
The Audient ID4 is the smaller brother of the ID14, featuring an Audient console microphone preamp and the JFET DI built in. If you want a premium sounding, bus-powered & portable audio interface without breaking the bank, the Audient ID4 is the one to go for.
Bus-powered via USB 2 to your PC or Mac, the ID4 offers up to 96kHz resolution and 24-bit audio recording. You’ll find two 1/4 balanced outputs, a headphone amp that with a 1/4 and minijack input and a combo jack input for a microphone or line input.
An interesting feature on this audio interface is ScrollControl which enables the volume wheel to also control your DAW & plugin parameters – which would be extremely useful for recording in automation lines.
There’s also a direct monitoring function with Monitor Mix that gives you near zero-latency monitoring. The other function, Monitor Pan is also an interesting function that allows you to pan your recording input to one side, so you can monitor while recording, say a guitar while recording vocals.
Check out excellent Audient ID4 or go for the bigger brother, the Audient ID14
3 – Steinberg UR44 – $299
The Steinberg UR44 has been around for some time but I’d still recommend it. It features Class-A D-PRE microphone preamps which you’d find on Yamaha n12 mixers, known to be quiet at low or high gains.
One of the best features about the UR44 is its DSP. You could use the interface with the dspMixFx software that allows you to record and monitor with effects – from reverb, EQ, compression and more. This is exceptionally useful for some cases, for example, when you’re recording a singer who needs to monitor their voices with some reverb.
You could go for the UR22, the smaller model. However, you’ll lose out on the I/O options. I’d recommend going for the UR44 as it gives you great connectivity. The 4 microphone inputs, 2 line inputs and MIDI I/O is a great welcome. Additionally, there are two headphone outputs which is useful when making music with other producers.
The downside to the Steinberg UR44 is that it’s an aging model & we’re not sure when the driver support will be dropped. However, Steinberg has shown to be quite proactive in supporting their users with drivers & fixes, so you could say it’s safe to go for the Steinberg UR44.
Check out the Steinberg UR44 and the other sizes here
4 – M-Audio M-Track 2X2M C-Series – $149
M-Audio has years of record for creating great audio interfaces. The M-Audio M-Track 2X2M is a compact audio interface with 2 inputs for simultaneous recording.
A great sounding audio interface with super clean pre-amps and great A/D converters for great audio. The M-Track 2X2M records and playback at up to 192kHz/24 bit audio resolution.
The M-Track 2X2M is a 2in/2out audio interface which I think is a great start for most music producers. I strongly recommend buying audio interfaces with at least 2 inputs, to future-proof audio interfaces.
When it comes to the M-Track audio interface, make sure to go for the 2X2M model that comes with a 5-pin MIDI input at the rear. Why? The single MIDI input option will give you better future-proofing and also opens up to more setup configurations in your studio.
Mac Or Pc For Recording Studio
It also comes with a bunch of software which many producers won’t even use but perhaps you might find them useful if you’re just starting out. Cubase LE is included along with some useful VST/AU effects by M-Audio AIR themselves, the AIR Creative FX collection.
Two cables, a standard USB and USB-C port is also included with it. I guess M-Audio want to make sure you’re connected and be making music!
An audio interface recommended for beginners and intermediate producers: M-Audio M-Track 2X2M
5 – iConnectAudio4+ – $299
Hitting the borderline of audio interfaces below $300, the iConnectAUDIO4+ is a solid audio interface designed with connectivity in mind.
You can simultaneously plug your computer, iOS device & USB keyboard controller all into the iConnectAudio4+ and record up to 4 microphones or line instrument. It’s the first audio interface that supports multiple devices and computers at the same time.
Imagine being able to use two DAWs at one go & do all sort of crazy audio routing between different devices and softwares.
On top of that, the preamps sound great and it records high-resolution audio, up to 96kHz/24bit. Latency is also very minimal and if you do bump into any problems, the iConnectivity support team is pretty attentive.
The IConnect Audio4+ is not bus-powered so you’ll need to keep the supplied power adapter plugged in, for you to use it. Perhaps this could be a turn-off if you produce music on the go but if you make music primarily in your studio, the iConnectAUDIO4+ is one of the most versatile & flexible audio interfaces below $300.
Check out the iConnectAudio 4+ audio interface
6 – Novation AudioHub 2×4 – $149.99
The Novation AudioHub 2×4 is an interesting audio interface that lets you connect & power all your USB devices – while offering super low latencies and loud audio output.
Seemingly aimed towards electronic music producers & DJs, the AudioHub aids to declutter your production setup. As Novation isn’t a company who manufactures audio interfaces, they’ve partnered up with Focusrite to include Focusrite pre-amps and DAC, so you’ll be getting that Focusrite sound with this interface.
You also get 4 assignable outputs which you can use for all sorts of production or live setups. A very interesting setup is to output the line outputs 3–4 to the two line inputs as an effects loop in a live performance situation.
Overall, the Novation Audiohub 2×4 audio interface offers simple operation and access to more output/looping setups, for mixing or live settings. The USB hub feature also helps keep the desk clean with the many USB devices we use in the studio. However, the missing microphone preamp could potentially be a deal breaker for many non-DJ producers.
Great for some but some might not like it. Check out the Novation AudioHub 2X4
7 – Presonus Studio 26 – $199.95
The Studio 26 is an affordable 2 in/ 2 out audio interface that offers high-resolution audio recording. It records up to 24-bit and 192kHz resolution. Fitted with the famed PreSonus microphone preamps, high graded digital converters, low-jitter clocking and also a MIDI interface. With this is check, you’ll be future-proofing your audio interface purchase.
There is also phantom power for when you’re using condenser microphones. The front panel is fitted with a combo jack that accepts XLR mics or 1/4 jacks for line or instrument inputs. While recording, the LED indication meters are great for quick checks on your input and output levels.
Something that might attract you is that Presonus Studio 26 is fitted with a cue mix A/B function that essentially allows you to switch between two mixes while monitoring on headphones. A DJ would love this feature and another ideal use case for this is when you want to monitor between your original mix and performer’s mix when recording.
Extremely versatile with multiple setup possibilities while being a bus-powered unit, you can use it in any audio setup you wish, whether in the studio, live performing, DJ-ing, podcasting and more.
For more input choices and better future-proofing, get the Presonus Studio 68, a 6-in, 6-out audio/MIDI interface. It offers more connectivity options at only a slightly higher price tag.
Check out the Presonus Studio 26
For more connectivity and USB 3.0, check the bigger brother out: Presonus Studio 192
For more connectivity and USB 3.0, check the bigger brother out: Presonus Studio 192
Presonus FireStudio Project – $410
The Presonus FireStudio Project is one of the best audio interfaces you can get below $500. An audio interface that has been on the market for over 6 years, this shows how solid the FireStudio Project interface to be.
Records up to 24bit, 96kHz, you get 2 mic/instrument inputs and 6 mic/line inputs with premium Class A XMAX mic preamps that sounds just great. The FireStudio Project steps above other budget audio interfaces as it includes a MIDI & S/PDIF connection together with a word clock I/O – which would be very useful for connecting more audio hardware together.
Currently, the audio interface also includes the Studio Magic Plug-In Suite which is a compilation of audio plugin effects picked from the best names in the market. Unlike many other freeware plugins which are not quite usable, the Studio Magic Plug-In Suite is actually quite good.
Check out the video on the Studio Magic Plug-In Suite:
One great unique selling proposition of the Presonus FireStudio Project audio interface is that you can daisy-chain multiple FireStudio interfaces together. This means you can actually run hook up a few of the interface and get more inputs & outputs for your recording needs. Perfect for future-proofing and expansion.
A downside of this audio interface is that it connects with FireWire – which is seemingly slowly being phased off. However on a positive side, it’s compatible with Apple Thunderbolt to FireWire adapter so that makes connectivity possible.
Love it or hate it, it’s a solid interface with ultra low latency.
Click here to check out the PreSonus FireStudio Project audio interface
Best Premium Audio Interfaces
We’ll feature another three premium audio interface that is worth considering this year.
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Here’s how I choose a premium audio interface. Firstly, by sound with its pre-amps and D/A converters. Next, its connectivity, routing and setup possibilities of the audio interface. And finally, the design, build and support for the interface.
8 – RME BabyFace Pro – $749
The fact that the RME BabyFace Pro is not exactly a new audio interface might demotivate you, but make no mistake in the quality of this audio interface. The BabyFace Pro is not very light but it does feel very solid & sturdy.
You get 2 XLR inputs/outputs, another additional 2 line inputs, and 2 headphone outputs. On the other side, you’ll find the USB connection port, a DC power input, MIDI port, and the optical ins & out. a TOSLINK I/O is used to complete the entire connectivity.
It comes with TotalMix FX that looks quite old-school in terms of design, where it mimics a hardware mixer. TotalMix FX, however, has a lot of routing possibilities, so once you play around & get used to it, you’ll be amazed how with its flexibility.
Sound-wise, you’ll get very transparent preamps and great headroom. Good microphones like the Neumann U47 sound extremely great when paired with the RME BabyFace, without the need for another premium pre-amp. The quality of the D/A converters is also of the top-end with audio resolutions up to 192kHz.
On the front panel, the onboard meters clearly shows your input and output levels. You can also switch them to select In, Out or Mix. The Mix Mode conversely allows you to control input mixes independently to each output to control monitor feeds.
The BabyFace Pro is not exactly a cheap audio interface but its one of the best top-end interface you can buy in terms of sound, component quality, routing possibilities, solidness, and flexibility. It runs bus-powered on any computer, iPad or even as a standalone interface – making it really useful when thrown into any audio setup.
Check out the RME Babyface Pro interface
9 – Roland Studio CAPTURE – $799
Not exactly priced or branded as a premium, great-sounding audio interface, the Roland Studio CAPTURE is one of the best audio interfaces you can buy in terms of stability, hassle-free, and sound, given its price.
Some producers have also claimed that the Capture interface sounds better than the Apogee Ensemble audio interface. The sound quality of the Roland Capture far exceeds many audio interfaces at its price range.
You’ll get 16 audio inputs and 10 outputs, including 12 premium sounding preamps, the VS preamps. It is a little strange to me to find that the Capture is still using USB 2.0 for connectivity, but rest assured, you won’t experience pops & glitches with the Capture.
Civilization v - cradle of civilization map pack: americas crack. Interestingly, you get this technology called AUTO-SENS, which is a feature where the input levels automatically set a perfect input for you. Simply press the dedicated button on the front panel and play your instruments. AUTO-SENS will set the ideal recording level in seconds. It also works for an entire drum kit or multiple microphone setup, so you can imagine how useful that could be.
Taking one step beyond normal recording & tracking, the Studio Capture also provides 4 independent direct mixers for zero-latency monitoring. And with the internal software DSP, you could create different mix routing and send reverb effects for monitoring. The reverb feature itself would be welcomed by many singers and musicians who prefer listening to effected tracks while recording.
You won’t go wrong with the Roland Studio Capture if your goal is to setup a robust multiple purpose recording setup in your studio.
Seriously a great buy: Roland Studio Capture
10 – MOTU 828x – $829
The MOTU 828x gives you 28 inputs and 30 outputs in one audio interface that connects to your computer, Mac or PC. Fitted with one of the cleanest pre-amps you can find in an audio interface, the mic channels features pre-converter sends for you to work with outboard processing as well, should you prefer.
With the 5th generation, the MOTU 828x records and operates up to 192kHZ. The interface also has support for Thunderbolt connectivity, so you can connect them to your other peripherals with Thunderbolt.
Additionally, with most premium audio interfaces, the MOTU also has an onboard digital mixer where you can mix channels, effects, compression – all while not overloading your computer’s processing power with too many effects.
Designed for the road, the interface is built very solid within an aluminum alloy chassis and is meant to last many years. Expect super low latency on this interface as well.
If you’re a music producer who is looking for one of the best audio interfaces with plenty of connectivity, DSP effects and future-proofing, the MOTU 828x should be one interface that should be considered.
Note, if you need FireWire support, you could look up for the 828mk3 Hybrid that is identical to the MOTU 828x, except, instead of a Thunderbolt connection, it has FireWire in its place.
Great performance at a slightly higher price: MOTU 828x
Conclusion
What do you think of this list? What are some audio interface you’d like to add in this list?
Let us know in the comment section below and we’ll put them up for the community! Also share with us your thoughts. What audio interfaces are you currently using in your studio?
Nowadays that virtually all music recording has gone digital…
The first question on every musician’s mind when first starting out with music production is:
Which computer should I get?
Though as I’m sure you already know, there is no “one-size-fits-all” answer.
Because depending on factors such as:
- budget
- processing speed
- portability
YOUR ideal option might be completely different from someone else’s.
Which is why for today’s post, I intend to show you everything you need to know to find the perfect computer/laptop for YOUR setup.
So let’s begin. First up…
Laptops vs. Desktops
More and more these days, as technology becomes increasingly “mobile“…
Desktop computers are slowly becoming a thing of the past.
Yet for music recording, they’re still what all the pros continue to use.
Here’s why:
- They’re generally faster – their larger housing offers room for maximum processing power to meet the high demands of today’s DAW’s and plugins.
- They have more IN’s/OUT’s – which allow you to incorporate larger, more sophisticated routings to keep up with your ever-growing setup.
- They offer greater customization – which let’s you add more RAM, extra hard drives, additional video cards, and more…as necessary.
- They solve the noise problem – by allowing you to keep the tower (noisy) in a separate room for your studio monitors and microphones.
Despite all these advantages, the ONE thing that desktop computers lack is…PORTABILITY.
And in today’s world of DJ’s and mobile studios, the portability of a laptop is a MUST. Download mac software for windows.
Plus…since most of us use a laptop for school/work anyway, it eliminates the need for 2 separate purchases.
Now at this point, I’ll assume you’ve already decided whether a desktop or laptop computer is right for you.
So let’s move on. Up next…
Mac vs. PC
Want to know the easiest way to piss-off a recording geek? Here’s what you do:
If he uses a PC in his studio, tell him Macs are better.
If he uses a Mac, tell him PC’s are better.
Because for some strange reason, this topic incites violent debates…that last forever, and result in no real conclusions.
In fact, I absolutely HATE giving my opinion on this topic.
But here it is anyway:
Personally, I like Macs. Not just for recording, but for everything. And these days, most of the music world (and the rest of the world) agrees.
If YOU agree as well…get a Mac.
So why a PC then? It’s usually 1 of 3 reasons:
- Price – Macs are usually more expensive than PC’s, and not everyone can afford them.
- Customization – computer nerds typically prefer PC’s, since they are much easier to modify/supercharge.
- Windows – some people just like the Windows OS.
If none of these 3 things apply to you…get a Mac.
But whichever side you choose, just know that tons of great music has been created on either one, and this topic isn’t nearly as important as some might have you believe.
Assuming you’ve made your decision…let’s move on.
Up next…
Mac Desktops
With Mac desktops, you have 4 options:
- Mac Pro
- iMac
- iMac Pro
- Mac Mini
Now here’s how they compare:
First, there’s the Mac Pro.
For studio recording, there’s probably nothing better. Peek your head into any pro studio…and odds are, that’s what you’ll find.
And the reason why is because it’s the only model that’s made to be easily upgradable, whichever part you’re looking to switch.
Now, up until not so long ago, the Mac Pro was just overkill for most of us, whether it was in terms of specs, or price.
However…
There is a serious, brand new contender on the desktop mac scene: the iMac pro.
The iMac pro is basically the MOST POWERFUL (yes, way more powerful than the Mac Pro) mac to date, with the added benefit of being an iMac, meaning it’s an all-in-one computer with a monitor built-in.
Now, one look at the base model price and you’ll understand why this model is not for everyone… And don’t even look at the price of the fully upgraded model if you’re faint of heart.
But if you’re looking for the most powerful mac out there and don’t mind making a (very) long-term investment, the iMac Pro will have you covered for — at the very least — the next decade.
Now for the overwhelming majority of us who can’t afford the iMac Pro, the next option is probably the best: the regulariMac.
While not nearly as powerful, the regular iMac is equally as practical for a typical beginner’s setup.
If you can afford it, it’s quite likely the ideal choice for most home studios.
If you CAN’T however, your final option is the Mac Mini.
How many times have your heard someone say:
I want to get a Mac, but they’re too expensive ?
Well the Mac Mini is proof that this is not entirely true.
And quite surprisingly, while the older models were definitely not on par with the iMac or Mac Pro in terms of speed…
The newer models, and especially the boosted ones show surprisingly good performances on the benchmark, and in some cases even outperforms the regular iMac.
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It may not have the speed or flexibility of the more expensive models…but it offers ALL the benefits of the Mac OSX, for a very modest price tag.
- Mac Pro – (Amazon/B&H/GuitarC/MusicianF)
- iMac Pro – (Amazon/B&H)
- iMac – (Amazon/B&H/GuitarC/MusicianF)
- Mac Mini – (Amazon/GuitarC/B&H)
Up next…
PC Desktops
For those of you guys who build custom PCs…
I have no doubt you know far more about this subject than I do…
So…
If you can assemble something faster and better than a Mac Pro…go for it.
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I wouldn’t dare try to convince you otherwise.
If however, you DON’T fall into this category, and you really don’t know much about computers at all…
Then I suggest staying away from PC desktops altogether.
And here’s why:
If you’re NOT a huge PC fan, the only reason to choose a PC for your studio would be if you’re a beginner trying to save money.
And since the main benefit of desktop computer is MORE PROCESSING POWER, it makes little sense to get any desktop that isn’t blazing fast.
So if you only have $500 to spend, you might as well get a laptop, so you can at least have some portability as well.
Having said that, let’s move on…
The 4 KEY Laptop Specs
Since we’ve already established that laptops are…in a way…”less-than-ideal” for music production…
Here are 5 potential issues to look out for:
- Mechanical Noise – if you’re a DJ in a loud club, this obviously doesn’t matter. But in a bedroom studio, it matters a lot. One way to check for this: read a ton of user reviews. Another way: opt for a SSD (solid state drive) with no moving parts, over a traditional HDD (hard disk drive).
- Backlit Keys – in low-light environments such as lounges and clubs, these are a MUST-HAVE.
- Screen Size – you may not think it’s important now, but once you’ve spent some time with any DAW, you’ll quickly see how valuable a bigger screen can be.
- Ports – as laptops get increasingly smaller, the number of ins/outs gets smaller as well. So make sure you have enough to get by.
Now let’s check out some laptops already…
Mac Laptops
With Mac laptops you have 3 options:
- Macbook Pro
- Macbook Air
- Macbook
First, there’s the Macbook Pro.
My best guess is…Macbook Pros are the single most popular laptops for home recording.
- They’re ultra fast
- They’ve got lots of inputs
- They have large screen with detailed display, especially the new 16″ version
If you can afford it, get it. If not…
Then the Macbook and Macbook Air come in TIED at a distant2nd place.
They’re not as fast, and they don’t have nearly as many inputs, but they’re extremely thin and lightweight…the Macbook Air ESPECIALLY!
So there you go. Check them out:
- Macbook Pro – (Amazon/B&H/GuitarC/MusicianF)
- Macbook Air – (Amazon/B&H/GuitarC/MusicianF)
- Macbook – (Amazon/B&H/GuitarC/MusicianF)
Up next…
PC Laptops
On one hand, PC laptops are GREAT…
Because you have a virtually unlimited number of options to choose from.
On the other hand, PC laptops SUCK…for the exact same reason.
And what I mean by that is…
While it’s nice to have options, the more options you have, the harder it is:
- to actually choose one
- to be certain you’ve made the right choice
- to be happy with your choice after you’ve made it
And unfortunately, for music production, there is no clear-cut winner that stands out from all the others.
But as most people agree…the best PC laptops for music tend to be the best PC laptops in general.
So here are 5 of the most popular and well-reviewed options:
- HP Envy – (Amazon/B&H)
- Asus Zenbook – (Amazon/B&H)
- LG Gram – (Amazon/B&H)
- Dell Inspiron – (Amazon/B&H)
- Lenovo Yoga 3 – (Amazon)
Up next…
DAW System Requirements
One important point worthy of mention that rarely gets discussed…
Is the system requirements for your DAW of choice.
Even though these days, most computers are compatible with most DAW’s…
In some rare cases…they’re NOT, so you should always double check just to make sure.
If you don’t have a preferred DAW yet, or don’t even know what a DAW is, then don’t worry about this part.
However for those of you that DO, here are the links to the system requirements for each of today’s top DAW’s:
Up next…
3 Essential Computer Accessories
Once you’ve finally chosen a computer, next come the ACCESSORIES.
For recording studios, the 3 accessories I recommend are:
- a keyboard
- a mouse
- a monitor
Now here’s what you want from each one…
1. The Keyboard
While any old keyboard will do…
Your ideal keyboard should include 3 features:
- DAW shortcut markers – which help you memorize all those shortcuts WAY faster.
- A number pad – which includes a TON of useful shortcuts for most DAW’s.
- A wireless connection – which allows you access to your transport controls from anywhere in the room.
NOTE: Even if you have a laptop, you may still find it worthwhile to buy an external keyboard. That’s how useful they are.
Now here are my 2 favorites:
- Logitech Wireless Solar Keyboard – besides having a number pad and a wireless connection, this keyboard has one unique feature that you almost never see: solar power. That means no batteries or cables ever.
- PC – (Amazon/B&H)
- Mac – (Amazon/B&H)
- LogicKeyboard Custom DAW Keyboards – (website) – easily the most well-known maker of software shortcut markers, LogicKeyboard has both custom keyboards and skin layovers for virtually every DAW/keyboard combo imaginable.
Up next…
2. The Mouse
Again…while any old mouse (or trackpad) will do…
With a really good mouse…
A few programmable buttons can give you access to your most frequently used DAW shortcuts without ever touching your keyboard.
And this one tool can speed up your workflow significantly.
While there are an almost infinite number of these mice to choose from…I suggest Logitech.com as a good place to start your search.
My personal favorite mouse in their line is the Logitech MX Ergo – (Amazon/B&H). If you’re not sure what to get, I highly recommend it.
For some other great options, check these out as well:
- Logitech MX Master2S – (Amazon/B&H)
- Logitech MX Anywhere 2S – (Amazon/B&H)
3. The Computer Monitor
When you first start out with home recording…
You probably won’t recognize the value of REALLY GOOD monitor right away.
But eventually, after working without one for a while…
You’ll notice 3 things:
- Low resolution screens can only display a small number of tracks at once.
- Flat screen TV’s often look pixelated, and are awkward to view from close up.
- Screens with slower refresh rates can’t display level meters in sync with the track.
Any one of these problems alone is annoying. All 3 together will drive you crazy.
And once that happens, I highly suggest getting a good external monitor.
For a good high-end option, here is an example of something that would work well:
- LG 27″ 4k – (Amazon/B&H)
As an alternative, any standard monitor (such as this one) will work almost as well, such as he HP 27er.
- Click here to compare prices – (Amazon/B&H)